Kanarie directted by Christiaan Olwagen (USA) 2018 follows the adventures of a naive young Afrikaner serving in the military.
A fan of Boy George with a passion for women’s fashion, who is caught parading through the streets of his small hometown by the local minister, receives his draft notice and manages to gain a place in the army church choir. What begins as light comedy turns more seriously.
The inductees are humiliated from the moment they first arrive in boot camp by a sadistic officer who preys on the most vulnerable among them, a chubby, effeminate recruit.
The issue of apartheid, the hypocrisy of religious morality being used to condone killing, and the turmoil of sexuality are women throughout the film.
Kanarie is now available on DVD and VOD by Breaking Glass Pictures, a distributor of LGBT media.
copyright © 2018 by N. A. Diaman, all rights reserved
For much of its history, the Hollywood film industry manufactured and marketed an illusion.
Movies celebrated young, white, heterosexuals of Northern European ancestry. Ethnically and sexually diverse peoples remained hidden.
The Hayes Code and the excesses of Cold War paranoia silenced dissenting voices. However, this seems to be quickly changing in keeping with significant progress in society as a whole.
Women He’s Undressed directed by Gillian Armstrong (Australia) 2015 documents the long career of costume designer Orry George Kelly (1897-1964), a three-time Oscar winner. He was born in a small town in Australia but soon moved to the United States, first working in New York before settling in Southern California.
Kelly’s work as a designer was praised while his sexual orientation was often mocked. His friendship with the wife of studio executive Jack Warner probably helped keep him employed at a time when gay and lesbian actors were forced to choose between job and personal relationship.
Women He’s Undressed, which screened at Frameline 40, is now available from Wolfe Video.
copyright © 2016 by N. A. Diaman, all rights reserved.